Mission and Vision

Our mission is to revive the Indian Vedic Arya traditions, restore spiritual culture, and establish a healing center through sacred sounds, Shankhnaad, and Vedic chanting.
Specifically, we also conduct therapeutic sessions using Shankhnaad and mantras for individuals suffering from depression, stress, and mental imbalance, helping them regain peace of mind, inner strength, and positive energy.

About Stotra Gayan

Pronunciation: By enunciating the mantra, the tongue taps certain points along the roof of our mouths, sending signals to the hypothalamus, which in turn, regulates the chemical activity streaming into all parts of the brain and body. It might be likened to tapping the keys of a piano—inside the casing, a hammer bounces up and strikes the strings which are tuned to produce a specific and foreseeable note; behind the curtains a remarkable vibratory process is going on. Rhythm: Through repetition of the mantra, patterns of sound are inscribed onto the brain. The unconscious becomes the conscious, the automatic becomes the deliberate, the mindless becomes the heartfelt. The repetition frees us from our destination-fixation—from our need to rush to the end. The repetition is the whole point. Through repetition, the mantra washes over us, as the waves in the sea gradually get us wet. It dissolves us into unison, which is the essence of yoga. We “die” in a sense, as our ego fades into the infinite, as it gets unavoidably absorbed by the sound.

These hymns have been set to various kinds of chant like Arya, Anushtup and Gayatri etc and continue to be sung in temples and holy places of Mithila since the epic ages. The Shankh and Damru are intrinsic to Stotra Gayan. The Sankha (Coanch) has very important place in this style of music. It represents the SWAR and the damru represents the LAYA or rythem. As swar and laya are the base of music, accordingly Sankh (Conch) and Damru symbolizes the Swar and laya which is the base or adhar of this world. As Sankh or conch is the natural instrument that can’t be made humanly and damru was first played by the Adidev Mahadev who is known as the Adi Guru of Music of this universe according to our Indian myths.

The style flourished in the eastern Gangetic Plains, including Mithila, and was employed in ritual worship and performance of other Vedic rites. The kings of Mithila built several temples where elaborate Stotra Gayan ceremonies have been performed down the ages.